Othello : Young Actors in Training / Stagescreen productions.
It might be seen as racist, antifeminist, perhaps even militaristic, depending on one's ideology. For Shakespeare, there were likely no such scruples. He borrowed the plot from a 16th-century Italian poet, along with, possibly, a geographical history of Africa and a translation of the Roman historia...
| Uniform Title: | Films on Demand.
Training for Shakespeare. |
|---|---|
| Corporate Authors: | |
| Language: | English |
| Language and/or Writing System: |
Closed-captioned. |
| Published: |
New York, N.Y. :
Infobase,
[2011], ©2008.
|
| Series: | Films on Demand.
Training for Shakespeare. |
| Subjects: | |
| Genre: | |
| Online Access: | |
| Physical Description: | 1 online resource (15 min.) : sound, color. |
| Variant Title: |
Young Actors in Training |
| Format: | Electronic Video |
MARC
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| 245 | 0 | 0 | |a Othello : |b Young Actors in Training / |c Stagescreen productions. |
| 246 | 3 | |a Young Actors in Training | |
| 260 | 3 | |a New York, N.Y. : |b Infobase, |c [2011], ©2008. | |
| 300 | |a 1 online resource (15 min.) : |b sound, color. | ||
| 336 | |a two-dimensional moving image |b tdi |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Training for Shakespeare: Young Actors' Workshops at the Globe Theatre | |
| 500 | |a Encoded with permission for digital streaming by Infobase on March 03, 2011. | ||
| 500 | |a Films on Demand is distributed by Infobase for Films for the Humanities & Sciences, Cambridge Educational, Meridian Education, and Shopware. | ||
| 500 | |a Electronic resource. | ||
| 505 | 0 | |a Shakespeare's Globe, London: Introduction to Shakespeare (1:00) -- "Othello": Commentary and Summary (2:49) -- "Othello": Rehearsal, Act IV, Scene 3 (1:16) -- "Othello": Performance, Act IV, Scene 3 (5:06) -- Discussion of "Othello" (3:47) -- Credits: "Othello": Young Actors in Training (1:00) | |
| 520 | |a It might be seen as racist, antifeminist, perhaps even militaristic, depending on one's ideology. For Shakespeare, there were likely no such scruples. He borrowed the plot from a 16th-century Italian poet, along with, possibly, a geographical history of Africa and a translation of the Roman historian Pliny. But out of those scholastic ingredients he fashioned one of the most entrancing, agonizing studies of jealousy in the whole of English literature. This program accompanies young drama students as they rehearse, perform, and discuss Act IV, Scene 3 - a foreboding segment near the end of the play. | ||
| 521 | 2 | |a 10 & up. | |
| 538 | |a Mode of access: Internet. | ||
| 538 | |a System requirements: FOD playback platform. | ||
| 546 | |a Closed-captioned. | ||
| 588 | |a Title from distributor's description. | ||
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616. |0 http://id.loc.gov/authorities/names/n78095332 |
| 650 | 0 | |a Acting. |0 http://id.loc.gov/authorities/subjects/sh85000691 | |
| 650 | 0 | |a Desdemona (Fictitious character) |v Drama. | |
| 600 | 0 | 0 | |a Othello |c (Fictitious character from Shakespeare) |v Drama. |0 http://id.loc.gov/authorities/names/nb2017008167 |
| 650 | 0 | |a Theater |x Production and direction. |0 http://id.loc.gov/authorities/subjects/sh85134542 | |
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| 710 | 2 | |a Films for the Humanities & Sciences (Firm) |0 http://id.loc.gov/authorities/names/no2003057097 | |
| 710 | 2 | |a Infobase. |0 http://id.loc.gov/authorities/names/no2016051772 | |
| 776 | 0 | 8 | |i Originally produced: |d Stagescreen productions, 2008. |
| 830 | 0 | |a Films on Demand. |5 MiEM | |
| 830 | 0 | |a Training for Shakespeare. | |
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