Jazz. Part 10, A Masterpiece by Midnight / Public Broadcasting Service (U.S.)
Dixieland, swing, bebop, modal, free, avant-garde, these were some of the terms critics used during the 1960s to categorize the diverse manifestations of jazz music. As for the artists themselves, many were desperate for work and headed for Europe, including bebop saxophone master Dexter Gordon. At...
| Uniform Title: | Films on Demand.
|
|---|---|
| Corporate Authors: | |
| Other Authors: | |
| Language: | English |
| Published: |
New York, N.Y. :
Infobase,
[2011], ©2000.
|
| Series: | Films on Demand.
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| Subjects: | |
| Genre: | |
| Online Access: | |
| Physical Description: | 1 online resource (110 min.) : sound, color, digital file. |
| Variant Title: |
Masterpiece by Midnight |
| Format: | Electronic Video |
MARC
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| 490 | 0 | |a Jazz: A Film by Ken Burns | |
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| 505 | 0 | |a Dexter Gordon (3:43) -- The Question of Jazz (1:15) -- Jazz Expression (2:04) -- 'Hello, Dolly' by Louis Armstrong (4:23) -- Violent Sixties (1:48) -- Freedom Now! - To Reclaim Jazz (5:30) -- Freedom Now! (2:33) -- Imaginary Concerts (4:38) -- Bossa Nova Movement (2:36) -- Not To Be Understood (8:15) -- Not To Be Understood - John Coltrane (9:28) -- Tennis Without a Net (4:52) -- Miles Davis and Fusion (6:32) -- Good Evening Everybody (14:42) -- Good Evening Everybody - Duke Ellington (4:54) -- Good Evening Everybody - Death of Jazz (5:14) -- Homecoming (2:59) -- Homecoming - Wynton Marsalis (5:55) -- Young Artists in Today's Jazz World (9:18) -- Jazz Still Swings (2:50) -- Jazz Legacy (1:55) -- Credits: 'A Masterpiece by Midnight: Ken Burns: Jazz, Part 10' (2:55) | |
| 520 | |a Dixieland, swing, bebop, modal, free, avant-garde, these were some of the terms critics used during the 1960s to categorize the diverse manifestations of jazz music. As for the artists themselves, many were desperate for work and headed for Europe, including bebop saxophone master Dexter Gordon. At home, jazz sought relevance. During the Civil Rights struggle it became a voice of protest, while avant-garde explorer John Coltrane reached for a higher consciousness with A Love Supreme and Miles Davis combined jazz with rock 'n roll to launch a wildly popular sound called Fusion. The loss of pioneers Louis Armstrong and Duke Ellington in the 1970s seemed to mark the end of the music itself. But Wynton Marsalis and a host of other artists, schooled in the music's traditions, have ensured that jazz is reborn every night, vibrant, evolving, and still swinging. | ||
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