Smiling Through the Apocalypse / First-Run Features (Firm).
Exploring the revolution in journalism sparked by the turbulence of the 1960s, Smiling Through the Apocalypse is the story of maverick editor Harold T.P. Hayes, who made Esquire magazine a galvanizing force in American culture. A leading architect of the 'New Journalism', Hayes granted unprecedented...
Uniform Title: | Films on Demand.
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Corporate Authors: | |
Language: | English |
Language of the Original: |
English |
Language and/or Writing System: |
Closed-captioned. |
Published: |
[Place of publication not identified] :
First-Run Features (Firm),
[2013]
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Series: | Films on Demand.
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Subjects: | |
Genre: | |
Online Access: | |
Physical Description: | 1 online resource (1 video file (1 hr., 36 min., 50 sec.)) : sound, color. |
Format: | Electronic Video |
MARC
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035 | |a (OCoLC)957608608 | ||
035 | |a FOD100066037 | ||
040 | |a AzPhAEM |b eng |e rda |d UtOrBLW | ||
041 | 0 | |a eng |j eng |h eng | |
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046 | |k 2013 | ||
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245 | 0 | 0 | |a Smiling Through the Apocalypse / |c First-Run Features (Firm). |
264 | 1 | |a [Place of publication not identified] : |b First-Run Features (Firm), |c [2013] | |
264 | 3 | 2 | |a New York, N.Y. : |b Distributed by Infobase, |c 2015. |
264 | 4 | |c ©2013 | |
300 | |a 1 online resource (1 video file (1 hr., 36 min., 50 sec.)) : |b sound, color. | ||
336 | |a two-dimensional moving image |b tdi |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
347 | |a video file |2 rda | ||
500 | |a Originally released by First-Run Features (Firm), 2013. | ||
500 | |a Streaming video file encoded with permission for digital streaming by Infobase on March 26, 2015. | ||
505 | 0 | 0 | |t Meet Harold Hayes |g (2:00) -- |t Hayes' Creative Team |g (2:31) -- |t Singural Voice and Editorial Devices |g (2:29) -- |t Cultural Differences |g (2:56) -- |t Wake Forest University |g (3:34) -- |t The Hayes Story |g (2:36) -- |t Distinguished Editorial Style |g (1:59) -- |t Iconic Picture of Musicians |g (3:24) -- |t "Smiling Through the Apocalypse" |g (2:28) -- |t "Superman Comes to the Supermarket" |g (3:10) -- |t Managing Editor |g (3:15) -- |t Art at Esquire |g (1:40) -- |t "Dubious Achievements" |g (2:30) -- |t Intellectual Distinction |g (1:48) -- |t Peter Bogdanovich |g (1:46) -- |t First Paid Subject |g (1:48) -- |t Brief History of "Esquire" |g (3:26) -- |t Champion of Artists |g (2:17) -- |t Great Tom Wolfe Story |g (2:12) -- |t "The Segs" |g (1:29) -- |t "Frank Sinatra Has a Cold" |g (4:58) -- |t "Oh My God-We Hit a Little Girl" |g (1:50) -- |t Creative Freedom and Controversy |g (3:51) -- |t 1968 Democratic National Convention |g (2:35) -- |t On Air Fued |g (2:50) -- |t "New York" Magazine |g (1:30) -- |t Behind the Scenes |g (2:11) -- |t "Radical Chic" |g (2:09) -- |t My Lai Massacre |g (3:30) -- |t In House Memo |g (2:50) -- |t Original Editorial Idea |g (4:00) -- |t Multitalented |g (2:02) -- |t "Ms." Magazine |g (2:25) -- |t Departure from "Esquire" |g (2:27) -- |t "The Last Place on Earth" |g (1:51) -- |t Life in California |g (3:30) -- |t Credits: Smiling Through the Apocalypse |g (2:56) |
520 | |a Exploring the revolution in journalism sparked by the turbulence of the 1960s, Smiling Through the Apocalypse is the story of maverick editor Harold T.P. Hayes, who made Esquire magazine a galvanizing force in American culture. A leading architect of the 'New Journalism', Hayes granted unprecedented journalistic freedom to the most talented artists and writers of the time including Tom Wolfe, Gay Talese, Nora Ephron, Peter Bogdanovich, Gore Vidal, Diane Arbus, Norman Mailer, and George Lois. Forging Esquire's pop-cultural capital with provocative covers and controversial reportage, Hayes transformed the magazine into a rigorously curated reflection of the American zeitgeist. In Smiling Through the Apocalypse, filmmaker Tom Hayes - Harold's son - paints a portrait of editorial genius using the voices and images of the iconic writers, photographers and artists who, with Hayes at the helm, brought Esquire to the vanguard of the cultural revolution. | ||
521 | 2 | |a 12 & up. | |
538 | |a Streaming video file. | ||
538 | |a System requirements: FOD playback platform. | ||
546 | |a Closed-captioned. | ||
588 | |a Title from distributor's description (Infobase, Nov. 2, 2015) | ||
600 | 1 | 0 | |a Hayes, Harold T. P. |0 http://id.loc.gov/authorities/names/n80131162 |
650 | 0 | |a Editors |z United States |v Biography. |0 http://id.loc.gov/authorities/subjects/sh2008102652 | |
650 | 0 | |a Nineteen sixties. |0 http://id.loc.gov/authorities/subjects/sh96005475 | |
655 | 7 | |a Internet videos. |2 lcgft |0 http://id.loc.gov/authorities/genreForms/gf2011026337 | |
710 | 2 | |a Infobase, |e film distributor. |0 http://id.loc.gov/authorities/names/no2016051772 | |
710 | 2 | |a First-Run Features (Firm) |0 http://id.loc.gov/authorities/names/n81111703 | |
830 | 0 | |a Films on Demand. |5 MiEM | |
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