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| 100 |
1 |
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|a Aarseth, Espen J.,
|d 1965-
|0 http://id.loc.gov/authorities/names/n97005728
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| 245 |
1 |
0 |
|a Cybertext :
|b perspectives on ergodic literature /
|c Espen J. Aarseth.
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| 260 |
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|a Baltimore, Md. :
|b Johns Hopkins University Press,
|c [1997], ©1997.
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| 300 |
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|a 203 pages ;
|c 23 cm
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a unmediated
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|b nc
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| 504 |
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|a Includes bibliographical references (pages 185-195) and index.
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| 505 |
0 |
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|t Ergodic literature --
|t Paradigms and perspectives --
|t Textonomy: a typology of textual communication --
|t No sense of an ending: hypertext aesthetics --
|t Intrigue and discourse in the adventure fame --
|t The cyborg author: problems of automated poetics --
|t Songs from the MUD: multiuser discourse --
|t Ruling the reader: the politics of "Interaction" --
|t The ideology of influence.
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| 520 |
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|a Publisher description: Can computer games be great literature? Do the rapidly evolving and culturally expanding genres of digital literature mean that the narrative mode of discourse--novels, films, television series--is losing its dominant position in our culture? Is it necessary to define a new aesthetics of cyborg textuality? In Cybertext, Espen Aarseth explores the aesthetics and textual dynamics of digital literature and its diverse genres, including hypertext fiction, computer games, computer-generated poetry and prose, and collaborative Internet texts such as MUDs. Instead of insisting on the uniqueness and newness of electronic writing and interactive fiction, however, Aarseth situates these literary forms within the tradition of "ergodic" literature--a term borrowed from physics to describe open, dynamic texts such as the I Ching or Apollinaire's calligrams, with which the reader must perform specific actions to generate a literary sequence. Constructing a theoretical model that describes how new electronic forms build on this tradition, Aarseth bridges the widely assumed divide between paper texts and electronic texts. He then uses the perspective of ergodic aesthetics to reexamine literary theories of narrative, semiotics, and rhetoric and to explore the implications of applying these theories to materials for which they were not intended.
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|a committed to retain
|c 20160630
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|z This title retained by Wesleyan University Library on behalf of the Eastern Academic Scholars Trust (EAST) print archive
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| 650 |
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0 |
|a Discourse analysis, Literary
|x Data processing.
|0 http://id.loc.gov/authorities/subjects/sh85038363
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| 650 |
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|a Literature and technology.
|0 http://id.loc.gov/authorities/subjects/sh85077575
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| 650 |
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|a Communication and technology.
|0 http://id.loc.gov/authorities/subjects/sh94003061
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|x Data processing.
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|a Literature and technology.
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|0 (OCoLC)fst01000104
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|i Online version:
|a Aarseth, Espen J., 1965-
|t Cybertext.
|d Baltimore, Md. : Johns Hopkins University Press, ©1997
|w (OCoLC)605040163
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|p Can Circulate
|a Michigan State University-Library of Michigan
|b Michigan State University
|c MSU Main Library
|d MSU Main Library
|t 0
|e P302.5 .A18 1997
|h Library of Congress classification
|i Printed Material
|m 31293036012148
|n 1
|
