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|a 016148245
|2 Uk
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|a 862033509
|a 869796091
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|a 1847884229
|q (pbk.)
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|a 9781847884220
|q (pbk.)
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| 020 |
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|a 1847884237
|q (Cloth)
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|a 9781847884237
|q (Cloth)
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|z 9780857853059
|q (ePub)
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| 035 |
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|a (OCoLC)864425360
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| 037 |
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|b Bloomsbury USA Academic, C/O Mps 16365 James Madison Hwy, Gordonsville, VA, USA, 22942, (540)6727600
|n SAN 631-5011
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| 040 |
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|a CDX
|b eng
|e rda
|c CDX
|d OCLCQ
|d CUI
|d TOH
|d YDXCP
|d OCLCQ
|d IVV
|d UPM
|d AU@
|d EYM
|d OCLCF
|d IUL
|d OCLCQ
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|d UtOrBLW
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| 049 |
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|a EEMA
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| 050 |
|
4 |
|a GT511
|b .S55 2013
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| 082 |
0 |
4 |
|a 391.0
|b 23
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| 100 |
1 |
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|a Sklar, Monica,
|e author.
|0 http://id.loc.gov/authorities/names/no2014038953
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| 245 |
1 |
0 |
|a Punk style /
|c by Monica Sklar.
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| 264 |
|
1 |
|a London :
|b Bloomsbury,
|c 2013.
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| 264 |
|
4 |
|c ©2013
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| 300 |
|
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|a xiv, 173 pages :
|b illustrations ;
|c 24 cm.
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| 336 |
|
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|a text
|b txt
|2 rdacontent
|
| 337 |
|
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|a unmediated
|b n
|2 rdamedia
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| 338 |
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|a volume
|b nc
|2 rdacarrier
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| 490 |
1 |
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|a Subcultural style series
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| 504 |
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|a Includes bibliographical references (pages 159-164 and index).
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| 505 |
0 |
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|a Machine generated contents note: 1. Introduction -- Subcultural Style Today -- Introducing Punk Style -- The Iconic Punk Style: Truth and Fiction -- Background Literature -- Previous Research on Subculture and Dress -- The Literature: Punk's Time to Get Attention in Fashion Research -- The Literature: Fashion Needs to Get Attention in Punk Research -- Methodology for This Book -- An Insider's Perspective -- Conclusions -- 2. Punk Style Past and Present -- What Is Punk Style? -- Punk by Wearer Definition -- Aesthetic Components of Punk Style -- Thematic Components of Punk Style -- The Origins of Punk Style -- Precedents and Influencers of Punk Style -- Where It Would Go: Diversity and the Development of Subgenres -- Conclusions -- 3. Punk Style Motivations and Explanations -- Why a Person Might Choose Punk Styles -- Expression of Identity -- Loss of Individual Identity in Contemporary Society -- Being Part of a Subcultural Community -- Postmodern Personalization of Dress.
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| 505 |
0 |
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|a Contents note continued: Communicating "Punk" through Dress -- Aesthetics, Iconography, and Identity: Communication -- Expressive and Referential Characteristics -- Symbolic Interaction: Communication -- Social Meanings -- The Viewer -- Punk Style and Context -- Negotiations Regarding Appearances -- Conclusions -- 4. Punk Style and Society -- How a Look Becomes Punk -- Making Is Power: Power Is Negotiated -- The Humanity in DIY -- Merchandising Punk Style -- The Diffusion of Punk Style -- Routes to Obtain Punk Style -- Rejection of Mainstream Distribution Channels -- Gender Issues and Politics through Punk Production and Consumption -- The Results of Punk Style Traveling through Fashion Channels -- Punk Style and Its Relationship to Street Style -- Punk Style and Its Relationship to High Fashion -- Dress Up and Dress Down in Punk Style -- Positive Aspects of Punk Style's Impact -- Negative Aspects of Punk Style's Impact -- Reinvention of Punk Style.
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| 505 |
0 |
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|a Contents note continued: Widespread Diffusion Creates Conflict over Meaning -- Conclusions -- 5. Summary of Punk Style -- Iconic Punk Styles -- Homage, Cues, and Context as Part of Identity Building -- Levels of Commitment -- Motivations for Wearing Punk Dress -- A Group Experience and an Individual Experience -- Postmodernism and Globalization as Influences on Contemporary Dress -- Is Punk Style Still Extreme? -- Punk Identity Salience and Negotiation of Appearances -- Where Can Punk Style Continue to Go? -- Closing.
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| 520 |
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|a Punk Style examines the dress of this incredibly diverse, long-lasting and hugely influential subculture and its impact on mainstream fashion. Taking a comprehensive approach, the book includes a historical overview, a discussion of motivations behind dress practices, and a review of fashion cycles and merchandising methods. Punk is frequently positioned as a forerunner of trends that later become commonplace, as demonstrated in the proliferation and acceptance of body modification, the repeated use of deconstruction as a design aesthetic, and the recent boom in fashion that reflects DIY style.
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| 650 |
|
0 |
|a Fashion.
|0 http://id.loc.gov/authorities/subjects/sh85047377
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| 650 |
|
0 |
|a Punk culture.
|0 http://id.loc.gov/authorities/subjects/sh85109126
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| 650 |
|
7 |
|a Beauty and Fashion.
|2 eflch
|
| 650 |
|
7 |
|a Fashion.
|2 fast
|0 (OCoLC)fst00921600
|
| 650 |
|
7 |
|a Punk culture.
|2 fast
|0 (OCoLC)fst01084152
|
| 830 |
|
0 |
|a Subcultural style series.
|0 http://id.loc.gov/authorities/names/no2012135243
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|t 0
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| 952 |
f |
f |
|p Can Circulate
|a Michigan State University-Library of Michigan
|b Michigan State University
|c MSU Art Library
|d MSU Art Library
|t 0
|e GT511 .S55 2013
|h Library of Congress classification
|i Printed Material
|m 31293036000358
|n 1
|
