All gates open : the story of Can / Rob Young & Irmin Schmidt.
'All Gates Open' is a music book like no other. Its subject is Can, arguably the most important experimental group of the 20th century. Formed in Cologne in 1968, Can drew their influences from the avant-garde - founding members Irmin Schmidt and Holger Czukay both studied under Stockhausen - and ja...
| Main Authors: | |
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| Language: | English |
| Published: |
London :
Faber & Faber,
2018.
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| Subjects: | |
| Genre: | |
| Physical Description: | 572 pages, 32 unnumbered pages of plates : illustrations (some color) ; 24 cm |
| Variant Title: |
Story of Can |
| Format: | Book |
MARC
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|---|---|---|---|
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| 003 | OCoLC | ||
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| 020 | |a 0571311490 |q (paperback) | ||
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| 050 | 4 | |a ML421.C26 |b Y67 2018 | |
| 082 | 0 | 4 | |a 782.421660922 |2 23 |
| 100 | 1 | |a Young, Rob, |d 1968- |e author. |0 http://id.loc.gov/authorities/names/nb2003108726 | |
| 245 | 1 | 0 | |a All gates open : |b the story of Can / |c Rob Young & Irmin Schmidt. |
| 246 | 3 | |a Story of Can | |
| 264 | 1 | |a London : |b Faber & Faber, |c 2018. | |
| 264 | 4 | |c ©2018 | |
| 300 | |a 572 pages, 32 unnumbered pages of plates : |b illustrations (some color) ; |c 24 cm | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 336 | |a still image |b sti |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (page 355) and index. | ||
| 505 | 0 | |a All gates open -- Can kiosk. | |
| 520 | 8 | |a 'All Gates Open' is a music book like no other. Its subject is Can, arguably the most important experimental group of the 20th century. Formed in Cologne in 1968, Can drew their influences from the avant-garde - founding members Irmin Schmidt and Holger Czukay both studied under Stockhausen - and jazz traditions to create a heavily rhythmic, minimal music that redefined what it meant to be a popular band. The book comprises two elements of equal weight: a biography of the group by Rob Young and a Symposium curated by Irmin Schmidt. The latter explores, in Irmin's own voice and that of his collaborators and admirers, the tentacular influence Can have had upon not just popular music, but also the visual arts, poetry and film. Can have been a direct source of inspiration for numerous genres, notably ambient, post-punk and electronica. | |
| 610 | 2 | 0 | |a Can (Musical group) |0 http://id.loc.gov/authorities/names/n95075498 |
| 610 | 2 | 7 | |a Can (Musical group) |2 fast |0 (OCoLC)fst00709177 |
| 650 | 0 | |a Rock groups |z Germany |x History. |0 http://id.loc.gov/authorities/subjects/sh85114671 | |
| 650 | 7 | |a Rock groups. |2 fast |0 (OCoLC)fst01099179 | |
| 651 | 7 | |a Germany. |2 fast |0 (OCoLC)fst01210272 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 700 | 1 | |a Schmidt, Irmin, |e author. |0 http://id.loc.gov/authorities/names/no98057385 | |
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| 952 | f | f | |p Can Circulate |a Michigan State University-Library of Michigan |b Michigan State University |c MSU Music Library |d MSU Music Library |t 0 |e ML421.C26 Y67 2018 |h Library of Congress classification |i Printed Material |m 31293033856463 |n 1 |