Contact Warhol : photography without end / Peggy Phelan and Richard Meyer ; with contributions by Jessica Beck, Jon Davies, and Alexis Bard Johnson.

From 1976 until his death in 1987, Andy Warhol was never without his camera. He snapped photos at discos, dinner parties, flea markets, and wrestling matches. Friends, boyfriends, business associates, socialites, celebrities, passers by: all captured Warhol's attention--at least for the moment he lo...

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Bibliographic Details
Main Authors: Phelan, Peggy (Author)
Meyer, Richard, 1966- (Author)
Beck, Jessica (Art museum curator) (Author)
Davies, Jon, 1980- (Author)
Johnson, Lexi (Lexi Bard) (Author)
Corporate Author: Iris & B. Gerald Cantor Center for Visual Arts at Stanford University (Host institution, Publisher)
Other Authors: Warhol, Andy, 1928-1987 (Photographer)
Language:English
Published: Stanford, CA : Cambridge, Massachusetts : Iris & Gerald Cantor Center for the Visual Arts at Stanford University ; The MIT Press, [2018]
Subjects:
Genre:
Physical Description:232 pages : illustrations (some color) ; 31 cm
Format: Book
Description
Summary:
From 1976 until his death in 1987, Andy Warhol was never without his camera. He snapped photos at discos, dinner parties, flea markets, and wrestling matches. Friends, boyfriends, business associates, socialites, celebrities, passers by: all captured Warhol's attention--at least for the moment he looked through the lens. In a way, Warhol's daily photography practice anticipated our current smart phone habits--our need to record our friends, our families, and our food. Warhol printed only about 17 percent of the 130,000 exposures he left on contact sheets. In 2014, Stanford's Cantor Center for the Arts acquired the 3,600 contact sheets from the Warhol Foundation. This book examines and documents for the first time these contact sheets and photographs--Warhol's final body of work. Peggy Phelan and Richard Meyer analyze the contact sheets, never before seen, and their importance in Warhol's oeuvre. Accompanying their text and other essays are reproductions of contact sheets, photographs, and other visual material. The contact sheets present Warhol's point of view, unedited; we know where he was every minute because a photograph remembers it.
Note:"Published on the occasion of the exibition, Contact Warhol: photography without end, organized and presented by the Iris & B. Gerald Cantor Center for the Visual Arts at Stanford University, on view from September 29, 2018-January 6, 2019"--Title page verso.
Call Number:N6537.W28 A4 2018b
Bibliography Note:Includes bibliographical references (pages 222-223).
ISBN:0262038994
9780262038997