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OCoLC |
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20220616033655.0 |
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|q hardcover
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|a 9780262038997
|q hardcover
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|a (OCoLC)1029786363
|z (OCoLC)1029642179
|z (OCoLC)1029852477
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|a YDX
|b eng
|e rda
|c YDX
|d MYG
|d YDX
|d AS0
|d OCLCF
|d STF
|d TOH
|d BTS
|d OCLCO
|d CIA
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|d FDA
|d TFW
|d CZA
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|d ZCU
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1 |
4 |
|a N6537.W28
|b A4 2018b
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| 082 |
0 |
4 |
|a 709.2
|2 23
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| 100 |
1 |
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|a Warhol, Andy,
|d 1928-1987,
|e photographer.
|0 http://id.loc.gov/authorities/names/n79122680
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| 245 |
1 |
0 |
|a Contact Warhol :
|b photography without end /
|c Peggy Phelan and Richard Meyer ; with contributions by Jessica Beck, Jon Davies, and Alexis Bard Johnson.
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| 264 |
|
1 |
|a Stanford, CA :
|b Iris & Gerald Cantor Center for the Visual Arts at Stanford University ;
|a Cambridge, Massachusetts :
|b The MIT Press,
|c [2018]
|
| 264 |
|
4 |
|c ©2018
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| 300 |
|
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|a 232 pages :
|b illustrations (some color) ;
|c 31 cm
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| 336 |
|
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|a text
|b txt
|2 rdacontent
|
| 336 |
|
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|a still image
|b sti
|2 rdacontent
|
| 337 |
|
|
|a unmediated
|b n
|2 rdamedia
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| 338 |
|
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|a volume
|b nc
|2 rdacarrier
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| 500 |
|
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|a "Published on the occasion of the exibition, Contact Warhol: photography without end, organized and presented by the Iris & B. Gerald Cantor Center for the Visual Arts at Stanford University, on view from September 29, 2018-January 6, 2019"--Title page verso.
|
| 504 |
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|a Includes bibliographical references (pages 222-223).
|
| 505 |
0 |
0 |
|g Foreword /
|r Susan Dackerman --
|g Acknowledgments --
|g Introduction:
|t Unframed Warhol /
|r Peggy Phelan and Richard Meyer --
|t Talking Warhol /
|r Richard Meyer and Peggy Phelan --
|t Andy Warhol: contact sheets, photography without end /
|r Peggy Phelan --
|t "The right place at the wrong time": Andy Warhol's photographic imagination /
|r Richard Meyer --
|t Warhol everyday --
|t Love on the margins: a case for Andy Warhol and Jon Gould /
|r Jessica Beck --
|t The work of being sexed: Andy Warhol on drag /
|r Alexis Bard Johnson --
|t From stillies to stills /
|r Jon Davies --
|t Warhol/not Warhol.
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| 520 |
|
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|a From 1976 until his death in 1987, Andy Warhol was never without his camera. He snapped photos at discos, dinner parties, flea markets, and wrestling matches. Friends, boyfriends, business associates, socialites, celebrities, passers by: all captured Warhol's attention--at least for the moment he looked through the lens. In a way, Warhol's daily photography practice anticipated our current smart phone habits--our need to record our friends, our families, and our food. Warhol printed only about 17 percent of the 130,000 exposures he left on contact sheets. In 2014, Stanford's Cantor Center for the Arts acquired the 3,600 contact sheets from the Warhol Foundation. This book examines and documents for the first time these contact sheets and photographs--Warhol's final body of work. Peggy Phelan and Richard Meyer analyze the contact sheets, never before seen, and their importance in Warhol's oeuvre. Accompanying their text and other essays are reproductions of contact sheets, photographs, and other visual material. The contact sheets present Warhol's point of view, unedited; we know where he was every minute because a photograph remembers it.
|
| 600 |
1 |
0 |
|a Warhol, Andy,
|d 1928-1987
|v Exhibitions.
|0 http://id.loc.gov/authorities/names/n79122680
|
| 600 |
1 |
7 |
|a Warhol, Andy,
|d 1928-1987.
|2 fast
|0 (OCoLC)fst00044614
|
| 650 |
|
0 |
|a Photography
|z United States
|y 20th century
|v Exhibitions.
|0 http://id.loc.gov/authorities/subjects/sh92001208
|
| 650 |
|
0 |
|a Contact printing
|v Exhibitions.
|0 http://id.loc.gov/authorities/subjects/sh2012001638
|
| 650 |
|
7 |
|a Contact printing.
|2 fast
|0 (OCoLC)fst01893340
|
| 650 |
|
7 |
|a Photography.
|2 fast
|0 (OCoLC)fst01061714
|
| 651 |
|
7 |
|a United States.
|2 fast
|0 (OCoLC)fst01204155
|
| 650 |
|
7 |
|a PHOTOGRAPHY / General.
|2 bisacsh
|
| 648 |
|
7 |
|a 1900-1999
|2 fast
|
| 655 |
|
7 |
|a Biographies.
|2 fast
|0 (OCoLC)fst01919896
|
| 655 |
|
7 |
|a Exhibition catalogs.
|2 fast
|0 (OCoLC)fst01424028
|
| 655 |
|
7 |
|a Biographies.
|2 lcgft
|0 http://id.loc.gov/authorities/genreForms/gf2014026049
|
| 655 |
|
7 |
|a Exhibition catalogs.
|2 lcgft
|0 http://id.loc.gov/authorities/genreForms/gf2014026098
|
| 700 |
1 |
|
|a Phelan, Peggy,
|e author.
|0 http://id.loc.gov/authorities/names/n92014579
|
| 700 |
1 |
|
|a Meyer, Richard,
|d 1966-
|e author.
|0 http://id.loc.gov/authorities/names/n00002515
|
| 700 |
1 |
|
|a Beck, Jessica
|c (Art museum curator),
|e author.
|0 http://id.loc.gov/authorities/names/no2018139063
|
| 700 |
1 |
|
|a Davies, Jon,
|d 1980-
|e author.
|0 http://id.loc.gov/authorities/names/no2010122203
|
| 700 |
1 |
|
|a Johnson, Lexi
|q (Lexi Bard),
|e author.
|0 http://id.loc.gov/authorities/names/no2017036928
|
| 710 |
2 |
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|a Iris & B. Gerald Cantor Center for Visual Arts at Stanford University,
|e host institution,
|e publisher.
|0 http://id.loc.gov/authorities/names/n98017977
|
| 907 |
|
|
|y .b130349938
|b 190402
|c 190115
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|t 0
|
| 952 |
f |
f |
|p Can Circulate
|a Michigan State University-Library of Michigan
|b Michigan State University
|c MSU Main Library
|d MSU Main Library - Oversize Collection, 3 West
|t 0
|e N6537.W28 A4 2018b
|h Library of Congress classification
|i Printed Material
|m 31293036476145
|n 1
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