Dead Man.
With DEAD MAN, his first period piece, Jim Jarmusch imagined the nineteenth-century American West as an existential wasteland, delivering a surreal reckoning with the ravages of industrialization, the country's legacy of violence and prejudice, and the natural cycle of life and death. Accountant Wil...
Uniform Title: | Kanopy films.
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Corporate Authors: | |
Other Authors: | |
Language: | English |
Language and/or Writing System: |
In English |
Published: |
[place of publication not identified] :
Janus Films (The Criterion Collection),
1995.
1995. |
Series: | Kanopy films.
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Subjects: | |
Genre: | |
Online Access: | |
Physical Description: | 1 online resource (streaming video file) (121 minutes) : digital, .flv file, sound |
Format: | Electronic Video |
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520 | |a With DEAD MAN, his first period piece, Jim Jarmusch imagined the nineteenth-century American West as an existential wasteland, delivering a surreal reckoning with the ravages of industrialization, the country's legacy of violence and prejudice, and the natural cycle of life and death. Accountant William Blake (Johnny Depp) has hardly arrived in the godforsaken outpost of Machine before he's caught in the middle of a fatal lovers' quarrel. Wounded and on the lam, Blake falls under the watch of the outcast Nobody, who guides his companion on a spiritual journey, teaching him to dispense poetic justice along the way. Featuring austerely beautiful black-and-white photography by Robby Müller and a live-wire score by Neil Young, DEAD MAN is a profound and unique revision of the western genre. Nominated for the Palme d'Or at the **Cannes Film Festival**. Nominated for four **Film Independent Spirit Awards**, including Best Feature. | ||
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