The depositions : new and selected essays on being and ceasing to be / Thomas Lynch ; foreword by Alan Ball.

"A wry and compassionate selection of essays reflecting on mortals and mortality, from the acclaimed author of The Undertaking. For nearly four decades, poet, essayist, and small- town funeral director Thomas Lynch has probed relations between the literary and mortuary arts. His life's work with the...

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Bibliographic Details
Uniform Title:Essays. Selections
Main Author: Lynch, Thomas, 1948- (Author)
Other Authors: Ball, Alan, 1957- (writer of foreword.)
Language:English
Published: New York : W.W. Norton & Company, [2020]
Edition:First edition.
Subjects:
Genre:
Physical Description:ix, 342 pages ; 25 cm
Variant Title:
Essays on being and ceasing to be
Format: Book

MARC

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245 1 4 |a The depositions :  |b new and selected essays on being and ceasing to be /  |c Thomas Lynch ; foreword by Alan Ball. 
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250 |a First edition. 
264 1 |a New York :  |b W.W. Norton & Company,  |c [2020] 
264 4 |c ©2020 
300 |a ix, 342 pages ;  |c 25 cm 
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505 0 0 |g Foreword by  |r Alan Ball --  |g from  |t THE UNDERTAKING :  |t The undertaking ;  |t Gladstone ;  |t Crapper ;  |t The right hand of the Father ;  |t The golfatorium ;  |t Tract --  |g from  |t BODIES IN MOTION AND AT REST :  |g Introduction ;  |t Bodies in motion and at rest ;  |t Fish stories ;  |t Y2Kat ;  |t The way we are ;  |t Reno --  |g from  |t BOOKING PASSAGE :  |g Introduction-  |t The ethnography of everyday life ;  |t The brother ;  |t The same but different ;  |t The sisters Godhelpus --  |g from  |t THE GOOD FUNERAL :  |t How we come to be the ones we are ;  |t The theory and practice of cremation --  |t NEW ESSAYS :  |g Introit ;  |t Miracles ;  |t Moveable and steadfast feasts ;  |t Whence & whither ;  |t The done thing. 
520 |a "A wry and compassionate selection of essays reflecting on mortals and mortality, from the acclaimed author of The Undertaking. For nearly four decades, poet, essayist, and small- town funeral director Thomas Lynch has probed relations between the literary and mortuary arts. His life's work with the dead and the bereaved has informed four previous collections of nonfiction, each exploring identity and humanity with Lynch's signature blend of memoir, meditation, gallows humor, and poetic precision. The Depositions provides an essential selection from these masterful collections, as well as new essays in which the space between Lynch's hyphenated identities-as an Irish American, undertaker-poet-is narrowed by the deaths of poets, the funerals of friends, the loss of neighbors, intimate estrangements, and the slow demise of a beloved dog. Meanwhile, the press of the author's own mortality sharpens a curiosity about where we come from, where we go, and what it means. In The Depositions, Lynch continues to illuminate not only how we die, but also how we live"--  |c Provided by publisher. 
520 |a For nearly four decades, as a poet, essayist, and small-town funeral director, Lynch has probed relations between the literary and mortuary arts. This collection of essays showcase Lynch's signature blend of memoir, meditation, gallows humor, and poetic precision. They illuminate not only how we die, but also how we live. -- adapted from jacket 
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