Gold : Serra Pelada gold mine = goldmine Serra Pelada = mine d'or Serra Pelada / Sebastião Salgado ; conception and design, Lélia Wanick Selgado ; [text, Alan Riding].
"When Sebastião Salgado was finally authorized to visit Serra Pelada in September 1986, having been blocked for six years by Brazil's military authorities, he was ill-prepared to take in the extraordinary spectacle that awaited him on this remote hilltop on the edge of the Amazon rainforest. Before...
| Main Author: | |
|---|---|
| Other Authors: | |
| Language: | English German French |
| Language and/or Writing System: |
Texts in English, German and French. |
| Published: |
Cologne :
Taschen,
[2019]
|
| Subjects: | |
| Genre: | |
| Physical Description: | 206 pages : chiefly illustrations, portraits ; 34 x 27 cm |
| Variant Title: |
Serra Pelada gold mine
Goldmine Serra Pelada [Parallel title]
Mine d'or Serra Pelada [Parallel title] |
| Other Uniform Title: | Tracce misteriose. Gold.
Tracce misteriose. Gold. German. Tracce misteriose. Gold. French. |
| Format: | Book |
MARC
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| 100 | 1 | |a Salgado, Sebastião, |d 1944- |e photojournalist. |0 http://id.loc.gov/authorities/names/n86145916 | |
| 245 | 1 | 0 | |a Gold : |b Serra Pelada gold mine = goldmine Serra Pelada = mine d'or Serra Pelada / |c Sebastião Salgado ; conception and design, Lélia Wanick Selgado ; [text, Alan Riding]. |
| 246 | 3 | 0 | |a Serra Pelada gold mine |
| 246 | 3 | 1 | |a Goldmine Serra Pelada |
| 246 | 3 | 1 | |a Mine d'or Serra Pelada |
| 264 | 1 | |a Cologne : |b Taschen, |c [2019] | |
| 264 | 4 | |c ©2019 | |
| 300 | |a 206 pages : |b chiefly illustrations, portraits ; |c 34 x 27 cm | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 336 | |a still image |b sti |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
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| 520 | |a "When Sebastião Salgado was finally authorized to visit Serra Pelada in September 1986, having been blocked for six years by Brazil's military authorities, he was ill-prepared to take in the extraordinary spectacle that awaited him on this remote hilltop on the edge of the Amazon rainforest. Before him opened a vast hole, some 200 meters wide and deep, teeming with tens of thousands of barely-clothed men. Half of them carried sacks weighing up to 40 kilograms up wooden ladders, the others leaping down muddy slopes back into the cavernous maw. Their bodies and faces were the color of ochre, stained by the iron ore in the earth they had excavated. After gold was discovered in one of its streams in 1979, Serra Pelada evoked the long-promised El Dorado as the world's largest open-air gold mine, employing some 50,000 diggers in appalling conditions. Today, Brazil's wildest gold rush is merely the stuff of legend, kept alive by a few happy memories, many pained regrets--and Sebastião Salgado's photographs. Color dominated the glossy pages of magazines when Salgado shot these images. Black and white was a risky path, but the Serra Pelada portfolio would mark a return to the grace of monochrome photography, following a tradition whose masters, from Edward Weston and Brassaï to Robert Capa and Henri Cartier-Bresson, had defined the early and mid-20th century. When Salgado's images reached The New York Times Magazine, something extraordinary happened: there was complete silence. "In my entire career at The New York Times," recalled photo editor Peter Howe, "I never saw editors react to any set of pictures as they did to Serra Pelada." Today, with photography absorbed by the art world and digital manipulation, Salgado's portfolio holds a biblical quality and projects an immediacy that makes them vividly contemporary. The mine at Serra Pelada has been long closed, yet the intense drama of the gold rush leaps out of these images." --Amazon.com. | ||
| 546 | |a Texts in English, German and French. | ||
| 600 | 1 | 0 | |a Salgado, Sebastião, |d 1944- |0 http://id.loc.gov/authorities/names/n86145916 |
| 650 | 0 | |a Gold mines and mining |z Brazil |z Serra Pelada |v Pictorial works. | |
| 650 | 0 | |a Photography, Artistic. |0 http://id.loc.gov/authorities/subjects/sh85101269 | |
| 650 | 0 | |a Black-and-white photography. |0 http://id.loc.gov/authorities/subjects/sh99002613 | |
| 600 | 1 | 7 | |a Salgado, Sebastião, |d 1944- |2 fast |0 (OCoLC)fst00183402 |
| 650 | 7 | |a Black-and-white photography. |2 fast |0 (OCoLC)fst00833803 | |
| 650 | 7 | |a Gold mines and mining. |2 fast |0 (OCoLC)fst00944469 | |
| 650 | 7 | |a Photography, Artistic. |2 fast |0 (OCoLC)fst01061964 | |
| 651 | 7 | |a Brazil |z Serra Pelada. |2 fast |0 (OCoLC)fst01237163 | |
| 655 | 7 | |a Pictorial works. |2 fast |0 (OCoLC)fst01423874 | |
| 700 | 1 | 2 | |a Salgado, Sebastião, |d 1944- |t Photographs. |k Selections. |0 http://id.loc.gov/authorities/names/no2018157368 |
| 700 | 1 | |a Salgado, Lélia Wanick, |e contributor. |0 http://id.loc.gov/authorities/names/n94002383 | |
| 700 | 1 | |a Riding, Alan, |e writer of supplementary textual content. |0 http://id.loc.gov/authorities/names/n84043391 | |
| 730 | 0 | 2 | |a Tracce misteriose. |p Gold. |0 http://id.loc.gov/authorities/names/no2012160029 |
| 730 | 0 | 2 | |a Tracce misteriose. |p Gold. |l German. |
| 730 | 0 | 2 | |a Tracce misteriose. |p Gold. |l French. |
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| 952 | f | f | |p Can Circulate |a Michigan State University-Library of Michigan |b Michigan State University |c MSU Main Library |d MSU Main Library - Oversize Collection, 3 West |t 0 |e TR650 .S24 2019 |h Library of Congress classification |i Printed Material |m 31293037093444 |n 1 |