Adrian Ghenie : paintings 2014-19 / edited by Juerg Judin.
At least since his spectacular exhibition in the Romanian Pavilion at the 56th Venice Biennale in 2015, Adrian Ghenie (*1977 in Baia Mare, Romania) has been known to the broad public as one of the most interesting and unconventional painters of his generation. His works painted in oils that have bee...
| Other Authors: | |
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| Language: | English |
| Published: |
Berlin, Germany :
Hatje Cantz,
[2020]
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| Subjects: | |
| Physical Description: | 191 pages : illustrations (chiefly color) ; 29 x 28 cm |
| Variant Title: |
Paintings 2014-19 |
| Format: | Book |
MARC
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| 245 | 0 | 0 | |a Adrian Ghenie : |b paintings 2014-19 / |c edited by Juerg Judin. |
| 246 | 3 | 0 | |a Paintings 2014-19 |
| 264 | 1 | |a Berlin, Germany : |b Hatje Cantz, |c [2020] | |
| 264 | 4 | |c ©2020 | |
| 300 | |a 191 pages : |b illustrations (chiefly color) ; |c 29 x 28 cm | ||
| 336 | |a still image |b sti |2 rdacontent | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 504 | |a Includes bibliographical references. | ||
| 505 | 0 | |a An introduction / Juerg Judin -- Adrian Ghenie and the cinematic dimensions of painting / Pamela Kort -- Adrian Ghenie in conversation with Michael Peppiatt. | |
| 520 | |a At least since his spectacular exhibition in the Romanian Pavilion at the 56th Venice Biennale in 2015, Adrian Ghenie (*1977 in Baia Mare, Romania) has been known to the broad public as one of the most interesting and unconventional painters of his generation. His works painted in oils that have been scratched, applied with a palette knife, or thrown onto the canvas have already gained entry into the collections of the Metropolitan Museum of Art in New York, the Tate Modern in London, and the Centre Pompidou in Paris, and have achieved one auction record after another in the art market. Yet neither Ghenie's subjects nor his technique cater to the taste of the public: the history of the 'century of humiliation', which is how Ghenie refers to the twentieth century, its perpetrators and victims are the most important sources for his collage-like compositions. These subjects are joined by his positive heroes alike, such as Van Gogh and Darwin, and time after time, his self portrait. | ||
| 600 | 1 | 0 | |a Ghenie, Adrian, |d 1977- |0 http://id.loc.gov/authorities/names/no2009203621 |
| 650 | 0 | |a Painting, Romanian |y 21st century. | |
| 600 | 1 | 7 | |a Ghenie, Adrian, |d 1977- |2 fast |0 (OCoLC)fst01913747 |
| 700 | 1 | |a Judin, Juerg M., |e editor. |0 http://id.loc.gov/authorities/names/no2009203624 | |
| 700 | 1 | 2 | |a Ghenie, Adrian, |d 1977- |t Paintings. |k Selections. |
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| 952 | f | f | |p Can Circulate |a Michigan State University-Library of Michigan |b Michigan State University |c MSU Main Library |d MSU Main Library - Oversize Collection, 3 West |t 0 |e ND933.G478 A4 2020 |h Library of Congress classification |i Printed Material |m 31293037191586 |n 1 |