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OCoLC |
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20220616093157.0 |
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|a (OCoLC)1140369992
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| 040 |
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|a DLC
|b eng
|e rda
|c DLC
|d OCLCF
|d OCLCO
|d YDX
|d UtOrBLW
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|a pcc
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|a EEMM
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0 |
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|a ML2075
|b .S674 2020
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| 082 |
0 |
0 |
|a 781.5/42
|2 23
|
| 245 |
0 |
0 |
|a Sound and image :
|b aesthetics and practices /
|c edited by Andrew Knight-Hill.
|
| 264 |
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1 |
|a Abingdon, Oxon ;
|a New York :
|b Routledge,
|c 2020.
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| 300 |
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|a xvii, 395 pages :
|b illustrations (black and white and color), music ;
|c 24 cm.
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| 336 |
|
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|a text
|b txt
|2 rdacontent
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| 336 |
|
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|a still image
|b sti
|2 rdacontent
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| 336 |
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|a notated music
|b ntm
|2 rdacontent
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| 337 |
|
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|a unmediated
|b n
|2 rdamedia
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| 338 |
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|a volume
|b nc
|2 rdacarrier
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| 490 |
1 |
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|a Sound design
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| 504 |
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|a Includes bibliographical references, filmography and index.
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| 505 |
0 |
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|a Connected Media, Connected Idioms : The Relationship Between Video and Electroacoustic Music From A Composers Perspective / Diego Garro -- Sound/Image Relations in Videomusic : A Typological Proposition / Myriam Boucher & Jean Piché -- The Question of Form in Visual Music / Maura McDonnell -- Audiovisual Spaces : Spatiality, Experience and Potentiality in Audiovisual Composition / Andrew Knight-Hill -- Rhythm as The Intermediary of Audiovisual Fusions / Daniel Von Rüdiger -- The Curious Case of The Plastic Hair-Comb : A Rhythm-Based Approach to A Parallel (Sound-Image-Touch) Theory of Aesthetic Practices / Matthew Galea -- The Spaces Between Gesture, Sound and Image / Mark Pedersen Brigid Burke Roger Alsop -- The Gift of Sound and Vision : Visual Music as A Form of Glossolalic Speech / Philip Sanderson -- Visual Music and Embodied Visceral Affect / Julie Watkins -- The Function of Mickey-Mousing : A Re-Assessment / Emilio Audissino -- Performing the Real : Audiovisual Documentary Performances and The Senses / Cornelia Lund -- Blending Image and Music in Jim Jarmusch's Cinema / Celine Murillo -- The New Analogue : Media Archaeology as Creative Practice in 21st Century Audiovisual Art / Joseph Hyde -- Screen Grammar for Mobile Frame Media : The Audiovisual Language of Cinematic Virtual Reality, Case Studies and Analysis / Sam Gillies -- Nature Morte / Jim Hobbs -- Capturing Movement: A Videomusical Approach Sourced in The Natural Environment / Myriam Boucher -- Constructing Visual Music Images with Electroacoustic Music Concepts / Maura McDonnell -- Technique and Audiovisual Counterpoint in The Estuaries Series / Bret Battey -- Exploring Expanded Audiovisual Formats (EAFs) -- A Practitioner's Perspective / Dr Louise Harris -- Making A Motion Score : A Graphical and Genealogical Inquiry into A Multi-Screen Cinegraphy / Leyokki -- The Human Body as an Audiovisual Instrument / Claudia Robles-Angel -- Sound -- [Object] -- Dance : A Holistic Approach to Interdisciplinary Composition / Jung In Jung -- Son e(s)t Lumière : Expanding Notions of Composition, Transcription and Tangibility Through Creative Sonification Of Digital Images / Simon Cummings -- Audiovisual Heterophony : A Musical Reading of Walter Ruttmann's Film Lichtspiel Opus 3 (1924) / Tom Reid.
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| 520 |
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|a "Sound and Image: Aesthetics and Practices brings together international artist scholars to explore diverse sound and image practices, applying critical perspectives to interrogate and evaluate both the aesthetics and practices that underpin the audiovisual. Contributions draw upon established discourses in electroacoustic music, media art history, film studies, critical theory and dance; framing and critiquing these arguments within the context of diverse audiovisual practices. The volume's interdisciplinary perspective contributes to the rich and evolving dialogue surrounding the audiovisual, demonstrating the value and significance of practice informed theory, and theory derived from practice. The ideas and approaches explored within this book will find application in a wide range of contexts across the whole scope of audiovisuality, from visual music and experimental film, to narrative film and documentary, to live performance, sound design and into sonic art and electroacoustic music. This book is ideal for artists, composers and researchers investigating theoretical positions and compositional practices which bring together sound and image"--
|c Provided by publisher.
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| 650 |
|
0 |
|a Motion picture music
|x History and criticism.
|0 http://id.loc.gov/authorities/subjects/sh2008108005
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| 650 |
|
0 |
|a Motion picture music
|x Philosophy and aesthetics.
|0 http://id.loc.gov/authorities/subjects/sh2009007382
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| 650 |
|
0 |
|a Experimental films
|x History and criticism.
|0 http://id.loc.gov/authorities/subjects/sh2008103432
|
| 650 |
|
0 |
|a Mixed media (Music)
|x History and criticism.
|
| 650 |
|
7 |
|a Experimental films.
|2 fast
|0 (OCoLC)fst00918452
|
| 650 |
|
7 |
|a Mixed media (Music)
|2 fast
|0 (OCoLC)fst01024097
|
| 650 |
|
7 |
|a Motion picture music.
|2 fast
|0 (OCoLC)fst01027201
|
| 650 |
|
7 |
|a Motion picture music
|x Philosophy and aesthetics.
|2 fast
|0 (OCoLC)fst01751716
|
| 655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
|
| 700 |
1 |
|
|a Knight-Hill, Andrew,
|e editor.
|0 http://id.loc.gov/authorities/names/n2020002124
|
| 830 |
|
0 |
|a Sound design.
|0 http://id.loc.gov/authorities/names/no2019144887
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| 907 |
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|y .b138539194
|b 210319
|c 200917
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|p Can Circulate
|a Michigan State University-Library of Michigan
|b Michigan State University
|c MSU Music Library
|d MSU Music Library
|t 0
|e ML2075 .S674 2020
|h Library of Congress classification
|i Printed Material
|m 31293014768323
|n 1
|
