Mozart's The Magic Flute : Barbe & Doucet (direction and design), Ryan Wigglesworth (conductor) - With David Portillo, Esther Dierkes, Marta Fontanals-Simmons ... / François Roussillon, director.

Think you've already seen The Magic Flute? You haven't really seen it until you've seen the version of the explosive duo Barbe & Doucet, who invite us to what they call a "huge musical comedy". At the Glyndebourne Festival under the direction of Ryan Wigglesworth, experience one of Mozart's most pop...

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Bibliographic Details
Uniform Title:Medici.tv.
Corporate Authors: Glyndebourne - François Roussillon et Associés
Orchestra of the Age of Enlightenment (Performer)
Glyndebourne Festival Chorus (Performer)
Glyndebourne Festival Opera
Other Authors: Roussillon, François (Film director)
Martel, Patrick
Doucet, Renaud (Stage director)
Simard, Guy (Lighting designer)
Stirrup, Donna (Stage director)
Stakenas, Kathleen (Stage director)
Barbe, André (Designer) (Costume designer, Art director)
Wigglesworth, Ryan, 1979- (Conductor)
Portillo, David (Performer)
Dierkes, Esther, 1990- (Performer)
Fontanals-Simmons, Marta (Performer)
Wettergreen, Caroline (Performer)
Sherratt, Brindley (Performer)
Fomina, Sofia (Performer)
Bürger, Björn (Performer)
Rose, Alison (Soprano) (Performer)
Magiera, Katharina (Performer)
Schneider, Jörg, 1966- (Performer)
Mozart, Wolfgang Amadeus, 1756-1791
Language:English
Published: [Place of publication not identified] : Glyndebourne - François Roussillon et Associés, 2019.
Series:Medici.tv.
Subjects:
Genre:
Online Access:
Physical Description:1 online resource (1 video file (2 hr., 46 min., 2 sec.)) : sound, color
Format: Electronic Conference Proceeding Video
Description
Summary:
Think you've already seen The Magic Flute? You haven't really seen it until you've seen the version of the explosive duo Barbe & Doucet, who invite us to what they call a "huge musical comedy". At the Glyndebourne Festival under the direction of Ryan Wigglesworth, experience one of Mozart's most popular works in an ambitious production with "eleven sets and two years of preparation". Completed just months before its composer's untimely death at age 35, the Singspiel draws heavily on the codes of Freemasonry, of which Mozart was a member. As part of the search for his love Pamina, Prince Tamino undergoes different tests that lead him toward truth and away from the darkness of ignorance. In the words of Hegel, "The Kingdom of the Night, the Queen, the Kingdom of the Sun, the Mysteries, the Initiations, Wisdom, Love, the Tests, along with a kind of moral middle ground, which in its generality is excellent, all of that, combined with the depth, enchanting grace, and soul of this music, stretch and satisfy the imagination, and warm the heart". Photo: La Flute enchantée © Glyndebourne Productions Ltd. Photo Bill Cooper.
Playing Time:02:46:02
Credits:Patrick Martel, puppet designer ; Renaud Doucet, Stage director ; Guy Simard, Lighting designer ; Donna Stirrup, Assistant director ; Kathleen Stakenas, Assistant director ; André Barbe, Set designer, Costume designer.
Participant or Performer:
Caroline Wettergreen (Queen of the Night) ; Brindley Sherratt (Sarastro) ; David Portillo (Tamino) ; Sofia Fomina (Pamina) ; Björn Bürger (Papageno) ; Alison Rose (Papagena) ; Esther Dierkes (First Lady) ; Marta Fontanals-Simmons (Second Lady) ; Katharina Magiera (Third Lady) ; Jörg Schneider (Monostatos).
Source of Description:
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