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in00006454810 |
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OCoLC |
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20220616134625.0 |
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200813s2021 stka b 001 0 eng d |
020 |
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|a 9781474475884
|q hardcover
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|a 1474475884
|q hardcover
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|a (OCoLC)1183421482
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|a YDX
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|a EEMR
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4 |
|a PN1995.9.H6
|b C58 2021
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082 |
0 |
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|a 791.43/6164
|2 23
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100 |
1 |
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|a Church, David,
|d 1982-
|e author.
|0 http://id.loc.gov/authorities/names/no2010140594
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245 |
1 |
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|a Post-horror :
|b art, genre, and cultural elevation /
|c David Church.
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|a Art, genre, and cultural elevation
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|a Edinburgh :
|b Edinburgy Univeristy Press,
|c [2021]
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300 |
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|a ix, 270 pages :
|b illustrations ;
|c 25 cm
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336 |
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|a text
|b txt
|2 rdacontent
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337 |
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|a unmediated
|b n
|2 rdamedia
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338 |
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|a volume
|b nc
|2 rdacarrier
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504 |
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|a Includes bibliographical references and index.
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|a Horror's longstanding reputation as a popular but culturally denigrated genre has been challenged by a new wave of films mixing arthouse minimalism with established genre conventions. Variously dubbed 'elevated horror' and 'post-horror,' films such as The Babadook, It Follows, The Witch, It Comes at Night, Get Out, The Invitation, Hereditary, Midsommar, A Ghost Story, and mother! represent an emerging nexus of taste, politics, and style that has often earned outsized acclaim from critics and populist rejection by wider audiences. Post-Horror is the first full-length study of one of the most important and divisive movements in twenty-first-century horror cinema.
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|a Horror films.
|0 http://id.loc.gov/authorities/subjects/sh85062077
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|a Film criticism.
|0 http://id.loc.gov/authorities/subjects/sh85088039
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650 |
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|a Performing arts.
|0 http://id.loc.gov/authorities/subjects/sh85099818
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650 |
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|a Film criticism.
|2 fast
|0 (OCoLC)fst00924259
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650 |
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|a Performing arts.
|2 fast
|0 (OCoLC)fst01057887
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952 |
f |
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|p Can Circulate
|a Michigan State University-Library of Michigan
|b Michigan State University
|c MSU Main Library
|d MSU Main Library
|t 0
|e PN1995.9.H6 C58 2021
|h Library of Congress classification
|i Printed Material
|m 31293037606021
|n 1
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