Stephen Rosenthal : constellations / texts by Davide Ferri, Barry Schwabsky.

"Stephen Rosenthal's paintings are so unusual that one is almost inevitably led to wonder about how they come into being. How and why does this or that maculation occur at just this or that place on the rectangle of the canvas, or in the space of the painting--keeping in mind that the canvas and the...

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Bibliographic Details
Corporate Author: P420 arte contemporanea (Gallery) (Host institution)
Other Authors: Rosenthal, Stephen, 1935- (Artist)
Language:English
Italian
Language of the Original:
English
Language and/or Writing System:
Text in English with parallel Italian translation.
Published: Milan-Italy : Mousse Publishing, 2020.
Edition:First edition.
Subjects:
Genre:
Physical Description:262 pages : illustrations (chiefly color) ; 29 cm
Variant Title:
Constellations
Format: Book

MARC

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100 1 |a Rosenthal, Stephen,  |d 1935-  |e artist.  |0 http://id.loc.gov/authorities/names/no2005035866 
245 1 0 |a Stephen Rosenthal :  |b constellations /  |c texts by Davide Ferri, Barry Schwabsky. 
246 3 0 |a Constellations 
250 |a First edition. 
264 1 |a Milan-Italy :  |b Mousse Publishing,  |c 2020. 
300 |a 262 pages :  |b illustrations (chiefly color) ;  |c 29 cm 
336 |a text  |b txt  |2 rdacontent 
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500 |a Published on the occasion of an exhibition half at the Galleria P420, Bologna, Italy, September 29-November 10, 2018. 
500 |a Bound. 
500 |a S. Rosenthal (1935-), American painter. 
504 |a Includes bibliographical references (pages 255-262). 
520 |a "Stephen Rosenthal's paintings are so unusual that one is almost inevitably led to wonder about how they come into being. How and why does this or that maculation occur at just this or that place on the rectangle of the canvas, or in the space of the painting--keeping in mind that the canvas and the painting are not exactly the same thing? [. . .] Rosenthal's process involves both adding and taking away, which means using both paint and solvents. The taking away, the via di levare that Michelangelo considered the sculptor's method, is more important, more determinative of the final result." --Barry Schwabsky Stephen Rosenthal, already active in New York in the latter half of the 1960s, delved from the outset into an investigation of reduction in painting via works on unstretched canvas, examined in successive cycles. This publication focuses on the latest group of paintings, which Rosenthal showed in Constellations, his first exhibition at P420 gallery in Bologna. The artist's practice unfolds, as Davide Ferri writes, with many leaps and certain constants: the drawn canvas; the irreducible coexistence of two distinct planes of surface and support, sign and background; and planes and other elements that contaminate and activate one another. 
546 |a Text in English with parallel Italian translation. 
600 1 0 |a Rosenthal, Stephen,  |d 1935-  |v Exhibitions. 
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710 2 |a P420 arte contemporanea (Gallery),  |e host institution.  |0 http://id.loc.gov/authorities/names/no2011119772 
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952 f f |p Can Circulate  |a Michigan State University-Library of Michigan  |b Michigan State University  |c MSU Main Library  |d MSU Main Library - Oversize Collection, 3 West  |t 0  |e N6537.R5818 A4 2020  |h Library of Congress classification  |i Printed Material  |m 31293037793936  |n 1