Johannis BuxtorfI Concordantiae Bibliorum Hebraicae : nova et artificiosa methodo dispositae, in locis innumeris depravatis emendatae, deficientibus plurimis expletae, radicibus antea confusis distinctae, & significatione vocum omnium Latinâ illustratae : quibus primùm Locus quaesitus quasi in momento ostenditur, aut facillimo jucundissimoq[ue] labore invenitur : secundò Lexici hebraici omnibus vocibus flexilibus completi, forma obsoluta proponitur : denique Masora sive Critica perfecta, quoties, quâ formâ, quo libro, cap. & versu unaquaeque vox declinabilis in textu Hebraeo invenitur, numeratò traditur : accesserunt Novae concordantiae Chaldaicae omnium vocum, quae corpore Bibliorum Hebraico continentur : cum praefatione, quâ operis usus abundè declaratur / per Johannem Buxtorfium fil. ling. sanctae in Acad. Bas. prof. ordinar.

Cipher/paraph (?) inscribed on title pages of both items in this volume; single marginal note in Latin and Hebrew on leaf Q4r; inscription on rear paste-down: "Church Missionary Society, 1818"; clipping of a bookseller's description, evidently of this volume (number 97 in catalog), pasted to foot of front paste-down ("spine defective"); inscription at head of recto of front free end-paper: "[...] 50 dollars"; inscription in pencil on recto of front free end-paper: "Mr Connor, alla locanda della [...]" (mostly erased/faded); twentieth-century armorial bookplate on front paste-down, with mottoes "Tae kei" and "Taxis kai kosmos": "Schmidtchen" (this is the American collector Paul W. Schmidtchen [1914-1990]); remnants of scotch tape on front paste-down; bookseller's description, by Sam Gatteño Books, Grosse Pointe, Michigan, along with print-outs of e-mail correspondence between Gatteño (donor) and MSU curator, available in MSS 466, Box 5, Folder 117.

MSU: Bound with Buxtorf, Johannes. Johannis BuxtorfI Tiberias sive Commentarius Masorethicus triplex ... (Basel: Ludwig König, 1620).

MSU: Library holds variant without dedication (see Verzeichnis der im deutschen Sprachraum erschienenen Drucke des 17. Jahrhunderts (VD 17)).

Bound in full contemporary vellum over paste-boards; decorative stamp in blind in center of both boards; boards tooled in blind; spine and fore-edges covered with red cloth (modern?) and decorated with gold paint; "T" painted within a wreath in gold on spine; gold paint applied to top and bottom edge of upper board.