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|a What film is good for :
|b on the values of spectatorship /
|c edited by Julian Hanich and Martin P. Rossouw ; foreword by Mike Figgis ; afterword by Radu Jude.
|
| 264 |
|
1 |
|a Oakland, California :
|b University of California Press,
|c [2023]
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| 300 |
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|a xiii, 413 pages :
|b illustrations (black and white) ;
|c 23 cm
|
| 336 |
|
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|a text
|b txt
|2 rdacontent
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| 337 |
|
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|a unmediated
|b n
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| 338 |
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|b nc
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| 504 |
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|a Includes bibliographical references and index.
|
| 505 |
0 |
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|a Foreword / by Mike Figgis -- Introduction : film ethics as delivering the goods / Martin P. Rossouw and Julian Hanich -- A portal to another world : on cinema, climate change, and a good apocalypse / Jennifer Fay -- Scaling down : on the unsustainable pleasure of large-file streaming / Laura U. Marks -- It's invaluable : on film spectatorship in the era of Covid-19 / Sarah Cooper -- Stabilities and mobilities : on the generic values of emplacements, displacements, and outplacements / Timothy Corrigan -- Lies, loops, or liberation : on the dis/obedience of feeling more / Michele Aaron -- Public engagement : on postcolonial African cinema's critical value / Litheko Modisane -- Shedding light on abject lives : on global cinema as ethical art / Seung-hoon Jeong -- Empathy : on its limitations and liabilities / Malcolm Turvey -- Political impact : on the societal vibrancy of film / Jens Eder -- Moral reflection : on the reflective afterlife of screen stories / Carl Plantinga and Garrett Strpko -- Challenge and discomfort : on situated elitist pleasures in art and indie film / Geoff King -- Heterocosmic connections : on the many worlds and world-values of cinema / Daniel Yacavone -- Depth of experience : on early phenomenology and the value of boredome in the cinema / Christian Ferencz-Flatz -- Striking beauty : on recuperating the beautiful in cinema / Julian Hanich -- Wondering offscreen : on cinema's transformations of our relation to the unseen / Jaimie Baron -- Coming to wonder : on cinema's renewal of vision / Catherine Wheatley -- Moral improvement : on how watching films might make us better people / Thomas E. Wartenberg -- Cinematic ethics : on film as transformative experience / Robert Sinnerbrink -- Spiritual exercises before a screen : on "film as philosophy" and its transformational ethics / Martin P. Rossouw -- Remembrance and reflection : on social justice cinema in the #BlackLivesMatter era / Maryann Erigha Lawer -- Making movie generations : on the cultural work of Hollywood remaking / Kathleen Loock -- Reaching unlettered audiences : on global blockbuster cinema and its oral affinities / Sheila J. Nayar -- Love of community and reality : on André Bazin and the good of cinema / Dudley Andrew -- Projection and protection : on cinemagoing as playing hide and seek with reality / Francesco Casetti -- An animated and animating medium : on Hegel, Adorno, and the good of film / Nicholas Baer -- The bigger picture : on watching films on a cinema screen / Martine Beugnet -- Quality time : on resisting what's next, or staying with the credits / Tiago de Luca -- Wanton destruction : on cinema's anti-social thrills / Adrian Martin -- Alienating interventions : on what the "bad" in David Lynch's films is "good" for / Annie van den Oever and Dominique Chateau -- Dangerous situations : on whether cinema is poisonous / Michel Chion -- Good for nothing? : on how films help us through the night / Tom Gunning -- Medium-sized matters : on whether cinema has made any difference / Mark Cousins -- Afterword / by Radu Jude.
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| 520 |
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|a "For well over a century, going to the movies has been a favorite pastime for billions across the globe. But is film actually good for anything? This volume brings together thirty-six scholars, critics, and filmmakers in search of an answer. The result is a series of responses that recast current debates about film ethics, ranging from the most personal to the most theoretical. Movie-watching here emerges as a wellspring of value, able to sustain countless visions of 'the good life.' Films, these authors affirm, make us reflect, connect, adapt; they evoke wonder and beauty; they challenge and transform. In a word, its varieties of value make film invaluable"--
|c Provided by publisher.
|
| 650 |
|
0 |
|a Motion pictures
|x Moral and ethical aspects.
|0 http://id.loc.gov/authorities/subjects/sh85088101
|
| 650 |
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|a Motion pictures
|x Social aspects.
|0 http://id.loc.gov/authorities/subjects/sh85088108
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7 |
|a Motion pictures
|x Moral and ethical aspects.
|2 fast
|0 (OCoLC)fst01027344
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|a Motion pictures
|x Social aspects.
|2 fast
|0 (OCoLC)fst01027384
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| 700 |
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|a Hanich, Julian,
|d 1975-
|e editor.
|0 http://id.loc.gov/authorities/names/n2009063119
|
| 700 |
1 |
|
|a Rossouw, Martin P.,
|e editor.
|0 http://id.loc.gov/authorities/names/n2021009659
|
| 700 |
1 |
|
|a Figgis, Mike,
|e writer of foreword.
|0 http://id.loc.gov/authorities/names/no92024855
|
| 700 |
1 |
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|a Jude, Radu,
|e writer of afterword.
|0 http://id.loc.gov/authorities/names/n90630195
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|i Online version:
|t What film is good for
|d Oakland, California : University of California Press, [2023]
|z 9780520386822
|w (DLC) 2023001550
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