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|a (OCoLC)on1348285190
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|a E98.A7
|b B485 2023
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| 082 |
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|a 704.03/97
|2 23/eng/20230331
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| 100 |
1 |
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|a Berlo, Janet Catherine,
|e author.
|0 http://id.loc.gov/authorities/names/n84235595
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| 245 |
1 |
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|a Not Native American art :
|b fakes, replicas, and invented traditions /
|c Janet Catherine Berlo ; foreword by Joe D. Horse Capture.
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| 264 |
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1 |
|a Seattle :
|b University of Washington Press,
|c [2023]
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| 300 |
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|a xxi, 331 pages :
|b illustrations (chiefly color) ;
|c 24 cm
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 336 |
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|a still image
|b sti
|2 rdacontent
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| 337 |
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|a unmediated
|b n
|2 rdamedia
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| 338 |
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|a volume
|b nc
|2 rdacarrier
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| 520 |
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|a "Following more than a decade of research on various kinds of inauthentic Native American art, Janet Berlo presents a series of cases that demonstrate the range and complexity of the issues at stake. From Native and non-Native artists commissioned by Native communities to make replicas of original Native artistic works to non-Natives creating Native style art for commercial gain to uses of pastiche and obfuscation in creating artistic objects for various purposes, Berlo looks at misrepresentation and replication in nuanced and careful detail"--
|c Provided by publisher.
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| 504 |
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|a Includes bibliographical references (287-319) and index.
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|a Introduction: of "Santa fakes" and other illusions -- Authenticity and Its discontents: what Is "real" Native American art? -- Cultural cross-dressers: a long history of imitating Indians -- Replication and reproduction on the Great Plains of nostalgia -- The deliberate forgery, the accidental fake, the visual fiction, and the replica -- Cross-cultural replication and Native revitalization: techniques of remembering -- Conclusion: vexed identities and the "destruction of mimicry" in the twenty-first century.
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| 650 |
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|a Indigenous art
|z North America.
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| 650 |
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0 |
|a Cultural property
|z United States.
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| 650 |
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|a Authenticity (Philosophy)
|0 http://id.loc.gov/authorities/subjects/sh85009785
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| 650 |
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|a Tradition (Philosophy)
|0 http://id.loc.gov/authorities/subjects/sh85136754
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| 650 |
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|a Art and society
|z United States.
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| 650 |
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|a Authenticité (Philosophie)
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| 650 |
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|a Tradition.
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| 650 |
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|a Art et société
|z États-Unis.
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| 650 |
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|a Traditionalism.
|2 aat
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| 650 |
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|a Art and society.
|2 fast
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| 650 |
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7 |
|a Authenticity (Philosophy)
|2 fast
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| 650 |
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|a Cultural property.
|2 fast
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| 650 |
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|a Indian art.
|2 fast
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| 650 |
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|a Tradition (Philosophy)
|2 fast
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| 651 |
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|a North America.
|2 fast
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| 651 |
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|a United States.
|2 fast
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| 700 |
1 |
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|a Horse Capture, Joseph D.,
|e writer of foreword.
|0 http://id.loc.gov/authorities/names/n98010626
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| 776 |
0 |
8 |
|i Online version:
|a Berlo, Janet Catherine.
|t Not Native American art
|d Seattle : University of Washington Press, [2023]
|z 9780295751375
|w (DLC) 2023007535
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| 938 |
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|a YBP Library Services
|b YANK
|n 18175211
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| 948 |
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|h NO HOLDINGS IN EEM - 37 OTHER HOLDINGS
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|p Can Circulate
|a Michigan State University-Library of Michigan
|b Michigan State University
|c MSU Main Library
|d MSU Main Library
|t 0
|e E98.A7 B485 2023
|h Library of Congress classification
|i Printed Material
|m 31293038429530
|n 1
|
