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160304s2016 ncua ob 001 0 eng c |
| 020 |
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|z 9780822362050
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|z 9780822362265
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|a 9780822373889 (online)
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|a (EBZ)ebs11508352e
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|a NcD/DLC
|b eng
|d EBZ
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|a pcc
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0 |
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|a PN1995.9.N4
|b G55 2016
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| 100 |
1 |
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|a Gillespie, Michael Boyce,
|d 1969-
|e author.
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| 245 |
1 |
0 |
|a Film blackness
|h [electronic resource] :
|b American cinema and the idea of Black film /
|c Michael Boyce Gillespie.
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| 246 |
2 |
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|a Film Blackness: American Cinema and the Idea of Black Film
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| 264 |
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1 |
|a Durham ;
|a London :
|b Duke University Press,
|c 2016.
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| 504 |
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|a Includes bibliographical references (pages [203]-222) and index.
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| 505 |
0 |
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|a Introduction. We insist: the idea of black film -- Reckless eyeballing : coonskin and the racial grotesque -- Smiling faces : Chameleon street and Black performativity -- Voices inside (everything is everything) : deep cover and modalities of noir blackness -- Black maybe : medicine for melancholy, place, and quiet becoming -- Coda. Destination out.
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| 650 |
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0 |
|a African Americans in motion pictures.
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| 650 |
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0 |
|a Race in motion pictures.
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| 650 |
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0 |
|a Motion picture industry
|z United States.
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| 773 |
0 |
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|t Books at JSTOR
|d JSTOR
|
| 776 |
1 |
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|t Film blackness
|w (DLC)2016010797
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| 856 |
4 |
0 |
|y Access Content Online(from Books at JSTOR)
|u https://ezproxy.msu.edu/login?url=https://www.jstor.org/stable/10.2307/j.ctv1131bn9
|z Books at JSTOR: 2016
|
