Cinema and colour [electronic resource] : the saturated image / Paul Coates.

"A study of the use of color in film, and of the ways in which color has been theorized, both as a concept and specifically in terms of cinema. Paul Coates unpacks the use of color in a diverse range of films such as All that Heaven Allows, The Wizard of Oz, Three Colours and The Lives of Others, an...

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Bibliographic Details
Main Author: Coates, Paul, 1953-
Language:English
Published: Houndmills, Basingstoke, Hampshire ; New York : Palgrave Macmillan, 2010.
Subjects:
Online Access:
Variant Title:
Cinema and Colour: The Saturated Image
Format: Electronic eBook

MARC

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050 0 0 |a PN1995.9.C546  |b C63 2010 
100 1 |a Coates, Paul,  |d 1953- 
245 1 0 |a Cinema and colour  |h [electronic resource] :  |b the saturated image /  |c Paul Coates. 
246 2 |a Cinema and Colour: The Saturated Image 
260 |a Houndmills, Basingstoke, Hampshire ;  |a New York :  |b Palgrave Macmillan,  |c 2010. 
504 |a Includes bibliographical references and index. 
505 0 0 |t Vertigo and yellow --  |t Guillermo del Toro and the dialectics of yellow and green --  |t Grief and green: Solaris, I lvira Madigan --  |t Natural camouflage: Joseph Losey's The Boy With Green Hair --  |t Green unseen: the poetics of absence in The Flight of the Red Ballon --  |t From yellow to green (via black): The Double Life of Veronique --  |t From yellow to blue: three Colours: Blue --  |t The desert and the beach: Deleuze, Antonioni, Zhang Ke Jia --  |t The painter's primaries and totality: le Mepris --  |t le Mepris 2: the triumph of blue --  |t Blue angel, blue devil: Goya in Bordeaux --  |t Trapped in blue: la Religieuse --  |g C.  |t TOUR/OF FOUR D'AMRIQUE --  |g 6.  |t Melos, Drama, Melodrama: From Demy to Sirk to Antonioni --  |t Introduction --  |t Singin' and dancin'? in the rain: Les Parapluies de Cherbourg and Singin' in the Rain --  |t Coupling and uncoupling colours: Une femme est une femme --  |t Totally? Tenderly? Tragically?: An American in Paris, Le Mepris and Moulin Rouge (with a postscript on The Golden Coach) --  |t A note on melodrama and modernism --  |t Melodrama, realism and All That Heaven Allows --  |t Modernist melodrama? The Oberwald Mystery 
520 |a "A study of the use of color in film, and of the ways in which color has been theorized, both as a concept and specifically in terms of cinema. Paul Coates unpacks the use of color in a diverse range of films such as All that Heaven Allows, The Wizard of Oz, Three Colours and The Lives of Others, and many more"--  |c Provided by publisher. 
650 0 |a Colors in motion pictures. 
650 0 |a Color motion pictures. 
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773 0 |t eBook Academic Collection (EBSCOhost) – North America   |d EBSCO 
776 1 |t Cinema and colour  |w (OCoLC)ocn666237312  |w (DLC)2010053335 
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