Cinema and colour [electronic resource] : the saturated image / Paul Coates.
"A study of the use of color in film, and of the ways in which color has been theorized, both as a concept and specifically in terms of cinema. Paul Coates unpacks the use of color in a diverse range of films such as All that Heaven Allows, The Wizard of Oz, Three Colours and The Lives of Others, an...
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| Language: | English |
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Houndmills, Basingstoke, Hampshire ; New York :
Palgrave Macmillan,
2010.
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| Variant Title: |
Cinema and Colour: The Saturated Image |
| Format: | Electronic eBook |
Contents:
- Vertigo and yellow
- Guillermo del Toro and the dialectics of yellow and green
- Grief and green: Solaris, I lvira Madigan
- Natural camouflage: Joseph Losey's The Boy With Green Hair
- Green unseen: the poetics of absence in The Flight of the Red Ballon
- From yellow to green (via black): The Double Life of Veronique
- From yellow to blue: three Colours: Blue
- The desert and the beach: Deleuze, Antonioni, Zhang Ke Jia
- The painter's primaries and totality: le Mepris
- le Mepris 2: the triumph of blue
- Blue angel, blue devil: Goya in Bordeaux
- Trapped in blue: la Religieuse
- C. TOUR/OF FOUR D'AMRIQUE
- 6. Melos, Drama, Melodrama: From Demy to Sirk to Antonioni
- Introduction
- Singin' and dancin'? in the rain: Les Parapluies de Cherbourg and Singin' in the Rain
- Coupling and uncoupling colours: Une femme est une femme
- Totally? Tenderly? Tragically?: An American in Paris, Le Mepris and Moulin Rouge (with a postscript on The Golden Coach)
- A note on melodrama and modernism
- Melodrama, realism and All That Heaven Allows
- Modernist melodrama? The Oberwald Mystery