|
|
|
|
| LEADER |
00000nam a22000003i 4500 |
| 001 |
ebs26173540e |
| 003 |
EBZ |
| 006 |
m o d |||||| |
| 007 |
cr|unu|||||||| |
| 008 |
201103t20202020be ag ob 001 0 eng d |
| 020 |
|
|
|z 9789462702295
|
| 020 |
|
|
|z 9789462702790
|
| 020 |
|
|
|a 9789461663290 (online)
|
| 035 |
|
|
|a (EBZ)ebs26173540e
|
| 040 |
|
|
|a ERASA
|b eng
|d EBZ
|
| 042 |
|
|
|a lccopycat
|
| 050 |
0 |
0 |
|a ML3838
|b .O85 2020
|
| 100 |
1 |
|
|a Östersjö, Stefan,
|e author.
|
| 245 |
1 |
0 |
|a Listening to the other
|h [electronic resource] /
|c Stefan Östersjö.
|
| 264 |
|
1 |
|a Leuven (Belgium) :
|b Leuven University Press,
|c [2020]
|
| 264 |
|
4 |
|c ©2020
|
| 490 |
1 |
|
|a Orpheus Institute series
|
| 504 |
|
|
|a Includes bibliographical references (pages 169-177) and index.
|
| 505 |
0 |
|
|a Chapter 1 : Situated Listening -- Chapter 2 : The Question of the Listening Subject: Ecological Perspectives on Sound, Perception, and Musical Performance -- Chapter 3 : Embodied Interactions in Instrumental Space -- Chapter 4 : Finding a Shared Voice in Intercultural Collaboration -- Chapter 5: Being-in-the-Presence-of the River: Embodied Listening and Eco-Systemic Sound Art -- Chapter 6 : Thinking-through-Listening.
|
| 520 |
8 |
|
|a Our contemporary, globalised society demands new forms of listening. But what are these new forms? Stefan Östersjö challenges conventional understandings of the ways musicians listen. He develops a transmodal understanding of listening that is situated in the body - a body that is extended by its mediation through musical instruments and other technologies. Listening habits can turn these tools - and even the body itself - into resistant objects or musical Others. Supported by extensive multimedia documentation and drawing on examples from the author's own artistic projects spanning electronics, intercultural collaboration, and ecological sound art, this volume enables musicians to learn how to approach musical Others through alternative modes of listening and allows readers to discover artistic methods for intercultural collaboration and ecological sound art practices. This book is closely linked to a series of cutting-edge artistic works, including a triple concerto recorded with the Seattle Symphony and several video works with ecological sound art. It represents the analytical outcomes of artistic research projects carried out in Sweden, the UK, and Belgium between 2009 and 2015.
|
| 650 |
|
0 |
|a Listening.
|
| 650 |
|
0 |
|a Musical perception.
|
| 773 |
0 |
|
|t EBSCO eBooks
|d EBSCO
|
| 773 |
0 |
|
|t eBook Academic Collection (EBSCOhost) – North America
|d EBSCO
|
| 776 |
1 |
|
|t Listening to the other /
|w (OCoLC)1151892547
|w (DLC)2020401613
|
| 830 |
|
0 |
|a Orpheus Institute series.
|
| 856 |
4 |
0 |
|y Access Content Online(from EBSCO eBooks)
|u https://ezproxy.msu.edu/login?url=https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2325017
|z EBSCO eBooks: 2020
|
| 856 |
4 |
0 |
|y Access Content Online(from eBook Academic Collection (EBSCOhost) – North America)
|u https://ezproxy.msu.edu/login?url=https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=e000xna&AN=2325017
|z eBook Academic Collection (EBSCOhost) – North America: 2020
|
