Contents:
  • Introduction: spectacle and its other
  • From latent to live: disaster photography after the digital turn
  • Origins of affect: the falling body and other symptoms of cinema
  • Remembering-images: empty cities, machinic vision, and the post-9/11 imaginary
  • Lights, camera, iconoclasm: how do monuments die and live to tell about it?
  • The failure of the failure of images: the crisis of the unrepresentable from the graphic
  • Novel to the 9/11 memorial
  • Conclusion: disaster(s) without content.